A Country Chicago Abode with Tuscan Farmhouse-Feel

Details

Country Cream Study with Vintage Dhurrie Rug

Large picture windows inflate the room’ s proportions. A vintage dhurrie rug grounds the walnut desk, which keeps company with a reproduction Eero Saarinen womb chair and ottoman.

Country Neutral Courtyard with Flared Columns

Flared columns lend a modern look to the upper level suite balcony and space below. The stainless sculpture by Johnny Blue is from a Michigan art gallery.

Country Neutral Kitchen with

Next to the living room is the kitchen with its clean-lined cherry cabinetry, stainless steel appliances and granite countertops. It nods to the Tuscan farmhouse hearth with its stone fireplace and stained green cabinetry, reminiscent of painted pieces often found in old Italian kitchens.

Country Neutral Exterior with Native Grass Landscape

Grasses including feather reed, big bluestem and tufted hair dot the property. The low-slung master suite is tucked behind the screened porch, which buffers it from the public side of the house.

Country Orange Dining Room with Green Dining Chairs

The homeowner and her sister-in-law applied silver leaf to the dining area ceiling, which adds a subtle sheen to the walls. An iron-and-Murano glass chandelier shines brightly from above.

Country Neutral Stone Facade with Steel Door Panels

The architects designed layered entries, from parking to gate to courtyard. Corten steel panels make up a massive sliding front door that’ s suspended from an iron curtain-like rod.

Country Neutral Courtyard with Screened Porch

The pool, framed by a screened porch and the main building, is the centerpiece of the courtyard. The homeowners found the spherical sculpture, made of vintage telegraph cables, at an antique show.

Country Neutral Entry with Decorative Sculpture

The window-filled entry is followed by a glass hall into the main section of the home A decorative sculpture greets guests upon entering the country farmhouse.

Country Cream Living Room with White Oak Trusses

The modest-sized family room gains volume not from its footprint, but from a soaring 14-foot ceiling anchored by dark-stained white oak trusses with iron struts.

Country Neutral Exterior with Fieldstone Exterior

With a facade blended of fieldstone, painted wood, and terra cotta tile, this new structure is designed to look as if it has evolved over time. A two-story stone farmhouse stands as the “original” structure.

Detach this rustic stone home from its lush, prairie-like site, and you might place it somewhere under the Tuscan sun. But instead of rolling hills, vineyards and olive groves, there are native grasses, a blanket of wildflowers and towering sugar maples. “To see it from a distance, out in the field,” says Michael Culligan, a principal of Michael Abraham Architecture in Clarendon Hills, “there’s a certain country charm to it.”

The homeowners, whose previous residence is less than a mile from the two-acre property, were familiar with the quality of the firm’s work, having seen it firsthand in a nearby suburb of Chicago. Armed with a fat file of magazine clips with photos of what they liked, the goal after their first meeting with the architects was obvious: Blend Old World substance and style with the practicality of contemporary interiors.

The plans initially drew from the architectural vernacular elements of traditional Tuscan farmhouses. Thus the façade is a blend of at least six different local fieldstones. But it’s the way they’re set that “ages” the building. “The mortar joints are laid in a very rustic style,” explains Hinsdale-based builder David Knecht, of Northridge Builders, Inc. “There are no deep ridges; the mortar is just wiped off.”

The roof evokes sun-baked terra cotta tile, interpreted with shingle-style asphalt in the same hue. And a metal door, which could very well double for a centuries-old bronze, is actually a contemporary Corten steel, much like those that Ludwig Mies van der Rohe used in his signature Chicago high-rises. Indeed, the house is designed to look as if it has evolved over time, “like a 400-year-old Tuscan home that’s been completely remodeled,” says architect Michael Abraham. A two-story stone farmhouse stands as the “original” structure. In it are the entry, dining room, home office/library, kitchen and the daughter’s bedroom suite. The family room is defined on the exterior with its contrasting wood-frame skin painted in a shade of rich terra cotta to match the roof. The family room is annexed to a screened porch, which leads to an outdoor pergola as well as a master bedroom suite, the most modern space of all.

“We had been in a more traditional house, and didn’t use the living room that much at all,” says the wife. “Here, we wanted to focus on rooms that we do use, and take advantage of the gorgeous views.” So instead of a living room, there’s a comfortable family room with large wrap around windows, bookcases and an entertainment wall. Next to it is the
kitchen with its clean-lined cherry cabinetry, stainless steel appliances and granite countertops. But even it nods to the Tuscan farmhouse hearth with its stone fireplace and stained green cabinetry, reminiscent of painted pieces often found in old Italian kitchens.

A comfortable size at just over 4,000 square feet, some of the smaller areas gain volume with 10-foot ceilings and the way they spill into adjoining spaces. “A lot of people think it’s going to be a big house,” says the husband. “But when they come in, they don’t feel over- whelmed. The scale seems familiar.”

“It’s very easy to live in this house,” says the wife. “But what I love most is the openness and the fabulous views. Every season there’s something going on.And with all the windows, it’s like being in the middle of it all.”

—Elaine Markoutsas