See How Clean Lines And Authentic Finishes Shine In A Houston House

Details

Family room with modern art,...

In a Houston family room, a custom sectional and vintage Fritz Hansen chairs reupholstered in a Garrett Leather curly shearling invite relaxation. A midcentury French stool covered in a Sandra Jordan Prima Alpaca wool complements the yellow hues in an artwork by Tyler Guinn.

Exterior of a home built...

A custom white oak double door conceived by Wimmel Design & Construction and copper lanterns by St. James Lighting lend warmth to the exterior of this new Houston abode. The façade features slurried brick and windows by Ram Windows & Doors.

Dining room with modern art,...

Apparatus’ Trapeze 7 Mobile chandelier hangs above the homeowners’ heirloom dining table, which pairs with midcentury Atelier Saint Sabin chairs reupholstered in hair-on-hide from GH Leather. Shane Tolbert’s Harmony was purchased through Karren Art Advisory from McClain Gallery.

Bar with monochrome backsplash, brass...

On the bar’s back wall, slabs of brushed limestone from Materials Marketing meet at a stylized zipper seam. The stone’s natural quality complements a brass faucet from Barber Wilsons and The Urban Electric Co. pendant with an antique gilt finish.

Black-painted study featuring dark moody...

Light streams in through the study’s floor-to-ceiling windows, illuminating walls painted Sherwin-Williams’ Porpoise. Midcentury Jean Prouvé armchairs join a vintage Charles James sofa. The Arteriors chandelier suspends above a coffee table from Blackcreek Mercantile & Trading Co. and floor covering from Carol Piper Rugs.

Light-filled bunk room with pink...

Vintage pieces in the bunkroom include a Turkish rag rug from Carol Piper Rugs and Fritz Hansen armchair upholstered in lambswool. The whimsical Matisse-inspired wallpaper is by Kate Zaremba.

Primary bathroom with plaster walls,...

Plaster walls in the primary bathroom are by Domingue Architectural Finishes. Antique limestone floors from Materials Marketing partner with white oak reeded cabinets and Calacatta Belgia marble counters from Pomogranit + ADR.

Monochromatic primary bedroom with high...

The RH bed and oak-and-metal nightstands by Disc Interiors sit below Visual Comfort & Co.’s Talia chandelier by Julie Neill in the primary bedroom. A striped Turkish flat-weave floor covering is from Carol Piper Rugs.

Powder room with a marble...

A Barber Wilsons faucet, Gentner Design pivoting sconce and vintage Italian mirror add brass accents to the powder room. Calacatta Viola marble from Pomogranit + ADR forms the vanity with an integrated sink.

Upon first glance, this new house occupying a tree-canopied corner in Houston is a study in simplicity. Its clean roofline caps the striking structure, which features metal-framed windows set into crisp-white walls. However, closer inspection reveals nuance: from the subtle dimension of the slurried brick façade to the graceful curve of the front wooden door. “We’re big believers in taking cues from our surroundings,” says Wimmel Design & Construction architect Roxanne Wimmel, who worked alongside her husband, builder Jonathan Wimmel, to offer turnkey architecture, interior design and construction services for these owners. “We wanted to acknowledge the fabric of the neighborhood.” 

First developed nearly a century ago, the enclave was originally filled with bungalows. Though most of those dwellings have long since been replaced, their classic style continues to influence the designs taking shape today—this house being no exception. The Wimmels collaborated on its architectural design, with Roxanne overseeing the interiors and Jonathan the construction. To achieve the square footage required for this family—which grew from four to five members during construction—they stretched the design down the length of the property. They then oriented the main floor living spaces toward a side yard that’s shielded from the street by a low brick wall. “Because there’s not a house on the other side of that wall, a lot of natural light floods in,” Roxanne explains. This gave the interiors a sunny disposition that caters to both owners’ aesthetics, with the husband leaning more contemporary and the wife more traditional.

Experts at drawing inspiration from clients and filtering that information through their own lens, the Wimmels strived to merge the husband’s and wife’s respective styles. “You’ll see clean, contemporary details in our work, but we soften those elements with raw, natural materials as much as possible,” Roxanne explains. The unassuming nature of those finishes—and their seamless integration into a more modern envelope—often requires meticulous craftsmanship, Jonathan notes: “There’s a higher level of knowledge and attention required to execute the details.” Nowhere is this more evident than in the kitchen, where the edge of a quartzite countertop curves down to rest flush atop plain-sawn white oak cabinetry. An expanse of handmade zellige tile, meanwhile, seems to disappear behind a custom hood’s beam of reclaimed wood. On the back wall of the adjacent bar, two slabs of limestone meet not at a straight joint, but at a stylized zipper seam that contrasts against the stone’s brushed finish and chiseled edges. 

Cobblestone pavers on the front porch and veranda, as well as in the laundry and mud rooms, have an equally rough-and-tumble quality. “I’m not trying to reinvent the wheel in every space, so a lot of materials are repeated throughout the house but in different ways,” Roxanne says. In the powder room, the dimensions of the aforementioned floor tiles were retained, but the stone—a charcoal marble—is different and dressy enough to complement an elegant vanity sculpted from slabs of violet-streaked marble. In the primary bathroom, which required larger tiles to match the scale of a massive marble-encased tub, Roxanne had reclaimed limestone laid in a French pattern, a fluid arrangement that works with reeded-front cabinets and plaster walls to temper the rigidity of the mitered-edge vanity.

From that room’s soothing gray finishes to the dark gray-bronze of the study’s walls, the colors employed throughout the home create a natural and warm palette that’s emphasized by the patina of vintage furnishings “that have lost a little bit of that newness,” Roxanne notes. The living room’s classic Fritz Hansen club chairs, for instance, had been inviting relaxation for decades before she updated them with a coat of plush shearling. A Guillerme et Chambron ottoman, reinvigorated with yellow alpaca upholstery, “has a 50-year-old finish on its wooden legs,” she adds. The dining room’s French midcentury chairs, primary suite’s timeworn Japanese bench, and cotton-candy-colored bunkroom’s vintage Turkish rag rug underscore a collected-over-time feel. “We made sure to find as many antique pieces as possible to balance everything else feeling so fresh,” the wife explains. 

Grounded in its materiality, the beauty of each space is indisputable. “Our styles may have started off quite differently,” the wife continues as she reflects on her and her husband’s individual preferences. “But over time”—and as the design of their new home has worked its quiet magic—“they have merged into an elegance that suits us perfectly.”