Delicate Shapes Pop Against A Rugged Setting In This Desert Haven

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Entry to house featuring a...

Residential designer Brock Payton conceived a metal gate at the entry courtyard of a La Quinta home. On either side, he placed gas lanterns. A bridge takes visitors over a reflecting pool.

Terrace with a sectional facing...

Designer Wendi Young positioned a Gloster sectional and coffee table in front of a terrace’s outdoor fireplace. Payton established the plan for the exterior spaces and then worked with landscape architect Chris Hermann on the plantings, including the mature trees.

Detail of entry with niche...

“Since the front door opens to the great room, we wanted to create a sense of entry in the vestibule,” designer Wendi Young says of her approach to a niche in this La Quinta home. She turned to Kneedler Fauchère to supply the Gregorius Pineo wallcovering and sconces as well as the Ironies table. The artwork is by Dennis Smith Carney.

Living room with a sectional...

To capture the views, Payton faced most of the rear façade in glass, including LaCantina Doors sliders in the great room. Against the creamy foundation of Dunn-Edwards Paints Crisp Muslin shade, Young added an A. Rudin sectional in a Nobilis material, Troscan armchairs in Romo linen, all from Thomas Lavin, a custom coffee table and an Ebanista carpet.

Bar with topped with veined...

Ice Black marble from Pacifica Wholesale Tile & Stone clads the game room bar, where a custom metal slatted-screen channels a cosmopolitan vibe. Young’s selection of Axis Furniture swivel stools from Design Alliance LA complements the rift-sawn white-oak cabinetry. The lanterns above are by Cox London.

Vignette featuring round table, four...

For seating around the custom table in the game room, Young had two chairs made to match a pair the clients already owned. The Jerry Pair Leather upholstery skews slightly darker, reflecting the moodier turn the designer desired for the space. Behind is a landscape by Jerry Van Megert.

Pantry featuring shelving and drawers...

Payton typically designs the cabinetry in his projects, and this home was no exception. For the wet kitchen, he conceived a stylish storage solution for the owners’ collection of china and glassware and chose Gray Canyon quartzite from MSI for the countertop and backsplash. The cabinet hardware is by Emtek.

View of kitchen facing stone...

Calacatta Gold stone defines the backsplashes and island cabinet face, while a quartzite appears on the island. For matte metal accents, there is Hamilton Sinkler hardware and a Dornbracht faucet. The custom walnut-frame counter stools are covered in a Joseph Noble faux stingray material. A trio of Gregorius Pineo pendants casts a glow from above.

Main bedroom with bed set...

“Our intent was to provide a cozy, private getaway—with furnishings and colors that foster a Zen feeling,” Young says of this guest bedroom. A Phillip Jeffries wallcovering provides the backdrop for a custom bed in an Ellis Dunn linen. At the foot is a settee in a Rogers & Goffigon stripe from Cowtan & Tout and an existing coffee table the designer had refinished.

Freestanding bathtub positioned at a...

Payton positioned the main bath’s Victoria + Albert tub with Gessi fittings to take in the landscape seen through the Loewen windows. “I always start with as much glass as possible,” says Payton. “The views give a grounding feeling like you’re at one with nature.”

When it comes to successfully building a home, experience is a two-way street. On the clients’ side, assembling a group of seasoned professionals is the best way to ensure easy sailing. For the design team, working with savvy clients means much the same. Having built residences internationally in the past, one such couple, moving from Virginia to the California desert, brought with them a deep understanding of the process—down to the mathematical precision required to perfect it.

“It was nice working with someone who had so much experience building high-end homes,” their designer, Wendi Young, notes. “These are clients who appreciate quality craftsmanship, attention to detail and elevated finishes.” Hiring general contractor Mike Jeha—himself a longtime resident of the same La Quinta community where they planned to live—ensured an advocate familiar with the ins and outs of building in the desert area.

To craft the residence, the clients turned to residential designer Brock Payton. Among the top requests from the clients: “The husband wanted a view in every room,” says Payton, who notes that the back of the house showcases 87 feet of glass along with only 15 feet of solid wall. “He was set on certain compass readings he felt gave the best views from all rooms and would check them through the forming of the slab.” Getting the sight lines just right also necessitated flipping the house, so even the kitchen has its own spectacular vista. 

Payton developed the overall site plan as well, gracing the property with porcelain retaining walls, ample outdoor seating areas and placid water features, before turning to landscape architect Chris Hermann who refined the plantings, including olive trees and palms. Inside, the residential designer conceived the coffered ceilings, slatted screens and meticulously detailed cabinetry. “It’s hard for me to do a project where I don’t design the cabinets—they are a crucial part of the initial layout.” 

Young joined the team early in the process, soon after architectural schematics were in place. “There’s a geometry to this house, and we definitely wanted to soften that a bit,” she notes, “but my intention is always to make a home feel like the interior design and architecture came from one mind. It’s important to me to marry the two.”

The designer also was keen to create tension between the rugged setting and the feminine flourishes the wife favored. Appealing to her preferences, delicate silhouettes with slender lines, tapered legs and subtle curves balance the home’s weightier moments such as the stone-clad interior walls, steel accents on the front of the bar, the stone-faced hood in the kitchen and the wood ceilings, yielding anchoring moments throughout Payton’s open, midcentury-inspired, entertaining-inclined floor plan. “Every project starts midcentury for me,” explains the residential designer. “I like to push to see how far we can take it before closing it up.”

Personalized pieces also proved key for owners loath to cut corners with the design. “It really raised the sophistication level of the home—to be able to use those special pieces from amazing manufacturers and custom vendors we loved,” says Young. For example, when Young presented a photo of a remarkable metal-and-glass chandelier by Cox London for the breakfast room, the wife took it as an opportunity to visit the firm in person. Seeing the studio during a trip to their London flat became an occasion to fall in love with the process and the message behind the work. The resulting commission “truly had soul and meaning for her. It wasn’t just another fixture for her,” Young says. 

Integrating the couple’s existing art collection, which includes pieces by Jerry Van Megert and Dennis Smith Carney, offered another challenge for the designer. “They were concerned it wasn’t going to work, but I wasn’t concerned at all,” she explains. “I was kind of excited about having those warmer colors and traditional pieces to juxtapose the contemporary furnishings. They did fit right in, and we didn’t have to reframe any.”

In the end, Payton muses, having clients of this caliber was a great benefit to the design team. “They’re cultured and in the know,” the residential designer notes. “They knew what they wanted but didn’t push—we molded it together. It is always a team that puts together the best homes, and that team includes the owners.”