Elegant Chicago High-Rise Condo Takes Its Cue From Its Stunning Views

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A seating area with gray...

In a Chicago condo, architect Thomas Shafer devised a screen of wood pickets to slowly reveal the city and lake views. Designers Thomas Riker, James Dolenc and Erin Humphrey created an intimate lounge near the wine cellar and furnished the space with Kelly Wearstler chairs in a Dedar fabric arranged around a Philip and Kelvin Laverne table. Beneath is a Fort Street Studio carpet. The custom buffet with eglomise panels is by American Custom Woodworking.

An elevator vestibule with marble...

The perforated-metal front door of this Chicago condo “allows visitors to be a part of the unit before they enter,” says Shafer. Designers Riker, Dolenc and Humphrey selected a scenic de Gournay wallpaper to make a dramatic statement in the adjacent elevator vestibule, which is lit from above by a sculptural Willowlamp chandelier.

A living room with black-and-white...

Shades of blue weave through the home—such as in the Opuzen fabric on the Holly Hunt sofa and the hints throughout the Pierre Frey chair coverings—drawn from the painting by Michiko Itatani above the living area fireplace. An eye-catching fixture by CTO Lighting hangs above a coffee table wrapped in Edelman leather.

A modern kitchen with satin...

The team collaborated with kitchen designer Mick De Giulio on the kitchen, which opens onto an expansive terrace via a NanaWall door. A satin nickel finish on the Powell & Bonnell counter chairs and a tarnished silver in the Apparatus pendants tie with the metallic finish of the cabinetry.

A lounge area features four...

Swivel chairs by Anees Upholstery in the family room lounge area ensure that it’s easy to take in the views from any angle. Draperies in a de Le Cuona plaid, a graphic Kyle Bunting carpet and a Joseph Jeup credenza animate the neutral palette.

A blue sofa and blue...

Though the homeowners planned to start mostly from scratch, a few existing pieces made the move from the suburbs to downtown, including a pair of Platner chairs in the salon that the designers recovered in a Romo fabric. The classic lines of the A. Rudin sofa serve as a foil to their midcentury presence, as does the Jonathan Browning chandelier.

A hallway is divided by...

Shafer’s ingenious floor plan embraces openness in the public rooms, but less so in the more private spaces. A wall of channel glass defines the salon and allows light into the adjoining master vestibule. Lining the long hallway are walnut planks by Carlisle Wide Plank Floors.

The guest room is shades...

For a guest room, the designers opted for a study in neutrals, which allows for the view—framed by draperies in a Schumacher pattern—to take center stage. The vista can be enjoyed from the CB2 chair in an Osborne & Little fabric or from the RH bed.

A freestanding white bathtub looks...

A freestanding BainUltra tub with a Dornbracht filler, both from Studio41, anchors the wife’s bathroom. On the floor is a custom mosaic in a floral pattern composed of Carrara and Thassos marble tiles. The custom Lucite fixture is by Juniper Design.

Shared experiences often forge relationships that one can turn to, no matter how much time has passed. Such was the case for a Chicago couple looking to move back downtown after a long suburban sojourn. So, they called on some old friends: architect Thomas Shafer, whom they had met when their children were younger, and designers Thomas Riker and James Dolenc, veterans of a previous project with the couple.

The clients had secured a space in a new high-rise, but they soon realized something wasn’t quite right. Partially built out with an emphasis on individual rooms, “The unit was more traditional,” Shafer reports. “They didn’t want to feel boxed in.” Starting from scratch, they took another unit in the building—this time completely unfinished. The switch meant the team could think in terms of an open plan and, of course, the views, which, says the architect, “We used as the engine that drove everything.”

While Shafer and the homeowners embraced an open, light-filled concept, “We didn’t want a one-liner,” the architect says. So he devised a tightly controlled entry sequence to introduce the vistas capturing downtown and the lake. The elevator leads to a jewel box of a foyer and, from there, to the front doors. “Once you open them, there’s a screen wall that serves as the spine of the apartment and makes you contemplate your next move,” explains Shafer. “It’s mysterious and beautiful.” Comprised of vertical wood pickets, the structure creates a peekaboo effect, offering up slivers of the view until the dramatic window wall is fully revealed.

Making that move “was a real trick,” notes Shafer, who worked with builder Ryan Quid. “We had to make sure wherever you were you’d have long vistas through the unit.” His plan allows one to circumnavigate the apartment 270 degrees around the perimeter so that no one feels trapped in a room. It is, however, openness within reason. “With a simple close of a door, the homeowners can shut down the unit,” he notes, thanks to a layered program where public spaces give way to more transitional, semi-public spaces and then the bedrooms.

When it came to the interior design, the husband presented Riker, Dolenc and project lead Erin Humphrey with three words they wished their home to convey: warm, welcoming and timeless. “They were receptive to ideas, and that led down a path of newness,” says Riker. “They wanted modern, but not super trendy.” Adds Humphrey, “We didn’t choose anything that would date itself.”

With those watchwords in mind, the designers opted for furnishings that had classic, crisp profiles but also a subtle flair. Chairs by the wine room have a familiar club feel but stand on bases with brass-toned legs near a cabinet with eglomise door fronts, while the sofa in the family room balances on a chrome base. In the living room, a pair of chairs hints at a klismos form, but overstuffed profiles lend them a funky twist. And the homeowners did bring a few family favorites into their new digs, like a Philip and Kelvin LaVerne coffee table and a pair of Platner chairs. “The wife likes pieces with heritage,” notes Riker, “and we embraced that.”

The designers favored neutral hues with the occasional dash of blue, taking a cues from the sky outside and the Michiko Itatani painting in the living room. Along with the artwork, the team relied on finishes and lighting to serve up big textural and visual moves. They begin in the elevator lobby, which is papered with a scenic de Gournay print and features a book-matched marble floor. Nearby, Riker and company finished a plaster gallery wall for richness. And, knowing that the layout of the living and dining areas couldn’t support a chandelier over the dining table, the team instead centered a fixture over the living area’s coffee table. “It’s quiet but dramatic,” says Riker, “and doesn’t interfere with the art or the views.”

The team upped the ante with yet another touch: a NanaWall that opens up the kitchen to the terrace. “It feels less like apartment living because it affords the ease of going outside,” notes Riker. “It creates a break-out-of-the box feeling.” Which, one could say, is more necessary now than ever before. The flexible layout and nearly panoramic views make for an ideal home during times of quarantine. “Everyone has a place here,” says Riker, adding with a laugh, “so they’re not driving each other crazy.”