Certain places we live hold a particular place in our hearts. For an American family relocating from Switzerland to Chicago, that cherished location was Europe. So, while they were physically back on U.S. soil, they wanted to make sure their new home reflected the Continental style they’d grown to love.
Luckily, their new architecturally significant residence, built in 1915 by famed North Shore architect Edwin Hill Clark, was a willing canvas. The abode’s original moldings, boiserie, dark wood floors and barrel-ceiling foyer already had a distinctly European feel. “A lot of the houses here have a brick Georgian style with columns,” the wife says. “This is more of a big monolith with gray stucco and black trim—it just felt a little French to me.” Their previous dwellings in California—where the family had lived before moving to Europe—had embraced a more minimalist, midcentury modern style. But that didn’t feel right for this home. “I’ve adapted my style to be a bit more eclectic, and something that would really go with this house,” the wife explains. “We have a little more flair, color and pizazz than I otherwise would. It was a mix of the house and being ready for something new.”
With this in mind, designer Alexandra Kaehler, along with builder Scott Rosett, focused on ways to highlight the beauty of the original details while making everything feel fresh and contemporary. In the formal living room, for instance, the fireplace and surrounding woodwork were stained orange—so Kaehler covered it in white, glossy paint to retain the details while injecting it with renewed vigor. “People are always hesitant to paint over something that is original and has all that character,” she says. “But it made a world of difference in the space once we did.”
In the kitchen—originally a mint green—the designer resisted the temptation of making it all white. Instead, she opted for dramatic black cabinetry, a veined marble backsplash and unlacquered brass fixtures and faucets that match the dials on the range. “The stove was really a focal point of that space—we liked the idea of integrating a European sensibility into the kitchen and we were able to do this beautiful French range,” Kaehler explains. “The husband is from the U.K., and we thought about the kitchens he grew up with and how we could inject that personality.”
The bold black-and-white motif continues throughout the home—in the tile pattern of the main bathroom, a striped coffee table in the sun room, the sink and mirror in the powder room, and various geometric patterns in drapes and pillows—complemented by rich jewel tones in both decor and wallcoverings. Back in the sun room, where two walls of windows and generous skylights brighten the space, Kaehler chose a deep green paint. “It was the perfect opportunity to go dark because there was so much natural light,” she explains. “We knew we wanted that room to be a color. It just would have so much impact without feeling overwhelming because there were really only two walls that would be painted.” The darker hue also set the tone for what the owners wanted to be a more “adult” area: something with the vibe of a cocktail lounge, post-dinner gathering space. Complementing the built-in mirrored bar, the room also hosts the husband’s vinyl collection and record player at the ready to set the mood.
Upstairs in the main bathroom, Kaehler and Rosett designed cabinetry that showcases brass lattice mesh and elegant moldings. The goal was two-fold: to create storage for the apothecary-style vanity and to match the drama of the rest of the home by ensuring that the bathroom didn’t fall flat. “To install a white-and-gray marble bathroom would just feel so anticlimactic with everything else that was going on,” Kaehler says, alluding to the light pink main bedroom with a chartreuse bed and ebullient floral pillows, as well as the statement-making artwork and furniture throughout the house.
The clients’ enthusiasm to explore outside their midcentury modern comfort zone and take risks was exactly what allowed the design team to attain the sophisticated yet vivacious result. “I love that they were willing to go for it and they just weren’t afraid,” Kaehler says. “I think that really paid off.”
