A Challenge That Paid Off: This Grand Seattle Home Gets Traditional Twists And A Modern Facelift

Details

Seattle house with turquoise front...

Old meets new seamlessly on this 110-year-old Seattle home’s façade. The entire third story and gable roof line is a new addition thanks to the efforts of architect Ryan Rhodes and general contractor Chris Heldridge. Scot Eckley of Scot Eckley Inc. Landscape Design & Construction handled the landscape design and installation.

Detail of seating nook in...

A built-in window seat is tucked into one of the dormers on the third-floor addition. At night, the cozy nook is lit by Schoolhouse sconces. Pierre Frey fabric in a soothing neutral covers the cushion. The Roman shade is a custom design using fabric by Mokum.

A bright, blue-painted entry looking...

The entry sets the tone, creating an atmosphere that’s anything but old-fashioned. With its rich hue, the GP & J Baker strié wallpaper sets off the deep molding profiles, while the ceiling painted in Benjamin Moore’s Pale Smoke further enhances the running trim. Providing contrast is a carpet from Driscoll Robbins Fine Carpets.

Living room with blue draperies...

Beers hung draperies in a Coraggio wool challis in the living room, a space that masterfully balances stateliness and livability. Gathered near the Steinway & Sons piano are an armless Room & Board chair and a Carl Hansen & Søn wing chair and De La Espada coffee table, both from Inform Interiors.

Nook in entry with table,...

In the entry, Beers placed a Cassina table and a custom ottoman covered in an Antoine d’Albiousse velvet from Barbara Otto. The stairway required spectacular feats of engineering and craftsmanship, which were overseen by general contractor Chris Heldrige.

Detail shot of blue-painted dining...

“The formality of the existing crystal chandelier strikes the right tone alongside the decidedly informal furnishings,” Beers observes of the RH table and Fritz Hansen chairs in the dining room and notes the juxtaposition sums up the homeowners. Now open to the kitchen, the space can be used throughout the day.

Kitchen space with white cabinetry...

A functional yet beautiful kitchen was a must in the renovation since the homeowners are avid cooks. Rocky Mountain Hardware knobs and pulls accent the cabinetry painted in Benjamin Moore’s Gray Mist. The countertop is honed Carrara marble from Meta Marble & Granite; the backsplash tile is by Fireclay Tile.

Family room with modern furniture...

As part of the home’s extensive renovation, architect Ryan Rhodes added a third story, where the family room resides. Draperies in a Mokum fabric frame the Marvin windows. Centered by a Design Within Reach coffee table are a Cassina sofa and a Dux lounge chair and ottoman.

Powder room with a black...

A peek into the powder room reveals a China Seas wallcovering and an RH mirror. The honed marble vanity top and Kohler sink, fitted with a THG faucet, rest on brass Watermark console legs.

Master bedroom with bed with...

Beers sourced the bed, chest of drawers and bedside tables from Room & Board. For illumination, he chose a Visual Comfort & Co. lamp and overhead fixture. Draperies in a Pindler solid grace the windows. The Gubi chair is from Inform Interiors.

Remodeling an alluring but antiquated home requires a delicate touch. Like an aging beauty queen given a drastic face-lift, a too-trendy renovation can strip away all that distinctive character. Luckily, the remodel of this 1910 Seattle Colonial Revival house is the result of a team committed to highlighting its historic grandeur while updating it for contemporary living. It even gained a “crown”—a new third story that harmonizes effortlessly with the existing structure.

The homeowners had found plenty to like when they first toured the house. It presided over a double lot in North Capitol Hill with views of Lake Union, featured attractive period trim, and boasted French doors on the main floor that flooded the space with light—unusual for an older house. Not as appealing was the layout, particularly a chimney that awkwardly split the dining room and kitchen.

After discovering the two-story structure didn’t hit the city’s maximum height limit, the idea for an attic was born, and a more extensive renovation plan took shape. To revamp the structure and interiors, the owners reached out to architect Ryan Rhodes and designer Andy Beers. And, while they were committed to a gut renovation, adding a floor and pushing out the western wall with a two-story addition, preserving the home’s century-old charms was a key consideration.

The devil, of course, is in the details; Rhodes, project architect Brandon Skinner and general contractor Chris Heldridge spent a dizzying amount of time preserving, restoring and recreating the elaborate trim, especially on the main floor. “The main floor originally had more ornate trim, which was common back then. There were also rooms that had more elaborate trim than others,” he explains. “The challenge was pulling it all together as honestly as possible.” The team contended with trim profiles that simply don’t exist as standard options in the 21st century. “In many areas, trim profiles were specially made,” says Rhodes. “Replicating that meant tons of custom work. But the subtlety of those details, all those fine shadow lines, is one of the things that makes this house so cool.”

Another major challenge the team faced was the stairwell. The steps needed to extend another level and be brought up to meet 21st-century code, but the sinuous handmade handrail complicated the process. “It slopes up, turns and curves in a way no machine can replicate,” says Rhodes. “We could have redone it different ways, but the homeowners saw its quality and uniqueness and committed to doing it the old way.” That meant hunting down a “half craftsman and half mathematician” to recreate and extend the entire structure by hand from scratch.

As these restoration riddles played out, Beers dove into the interiors. The homeowners, both very involved in the process, love color and geometric patterns and gravitated to touches of glam—but they wanted to honor the house’s history, too. Beers masterminded a cohesive edit that accounted for all those ideas. “I think they felt a desire to do right by this very formal home, and that influenced the way they felt about their style,” says the designer. “What we came up with is a tailored, playful version of an old house that toes the line between traditional and contemporary. We’re toying with the archetypes of a traditional look and twisting everything through a modern lens.”

To wit, the living and dining rooms are formally attired, but the dining room ceiling is painted a merry pink and the living room curtains are an eye-catching blue. And not just any blue, but Tiffany blue. Beers scored the end of a fabric bolt custom-dyed for the jewelry retailer and added Greek-key patterned trim. The kitchen is kitted out with a 60-inch range, a massive 14-foot island painted blue and nearly 40 feet of cabinetry in a crisp, white shade punctuated by brass knobs and pulls. The foyer showcases the original ornate trim, now unconventionally highlighted by icy-blue ceiling paint. And, as you ascend, a contemporary, candy-colored chandelier faces off against sophisticated paneling.

Each level gets progressively more modern, and Beers cleverly found ways to work in the couple’s design passions. The master bathroom is a contemporary oasis clad entirely in tile; other bathrooms feature bold flooring, patterned wallpaper, or glitzy lighting. The top floor, anchored by a family room, is marked by more modern furnishings amid an angular, architecturally striking interior roof line.

For the homeowners, who welcomed their first child just as construction was wrapping up, a vindication of each careful choice came after they invited two of the previous owners to see the remodel—a couple that had spent over 30 years living there. “They absolutely loved it, which made us feel so good,” says the wife. “That meant we succeeded in staying true to the character of the house.”