Opposites Attract: Discover The Surprise Inside This 1906 Tudor Home

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A stone staircase leads up...

Leading up to the main entry of this 1906 Tudor is a grand stone staircase. At its base, a fountain is tucked into a niche updated with Kelly Wearstler’s Tableau tile by Ann Sacks in Chalkboard.

The living room has striped...

Drapes in a Pindler stripe frame the living room windows. An Oly Studio coffee table and an accent chair upholstered in both Holly Hunt faux leather and Schumacher linen rest atop a Stark rug.

Cool gray and warm wood...

A Made Goods coffee table anchors the living room, where Hickory Chair armchairs face a sofa in Larsen fabric. The accent chair wears both Zinc Textile velvet and Edelman leather; artwork by Bill Armstrong picks up the warm hues.

The entry has a statement...

A custom entry door painted Benjamin Moore’s Black Beauty complements a ceramic chandelier by Ryan Mennealy that spells “dream” with its Morse code perforations. Beneath the artwork by Lisa McCutcheon is a custom console and stool upholstered in Holly Hunt faux leather.

The pool house has a...

A Harbinger sofa in Perennials’ Palmetto print gives the pool house a beachy vibe. Custom swivel chairs in a CW Stockwell stripe and a Schumacher coffee table wrapped in grass cloth round out the sitting area.

A blue tufted settee allows...

The new sitting area just outside the primary suite is furnished with a conversation bench in a Lee Jofa velvet, twin Bunny Williams stools with handwoven ikat upholstery and a vintage console from Lawson-Fenning. The wool rug is by Michaelian & Kohlberg.

A guest bedroom has a...

Featuring a moss-colored faux-linen finish, the guest bedroom’s Made Goods nightstand is topped by a Visual Comfort & Co. lamp. The headboard is upholstered in a Colefax and Fowler check.

dining room with peach walls,...

Phillip Jeffries’ mural wallcovering sets a dreamy mood in the dining room, where Kerry Joyce chairs flank a buffet topped with Arteriors lamps. The host chair, covered in Holly Hunt and Schumacher fabrics, pulls up to a custom table. The rug below is by Marc Phillips.

Anyone standing at the base of the imposing stone-walled double staircase leading up to the front door of this grand 1906 Tudor would be forgiven for assuming that the historic home’s rooms have a similar sort of gravitas. After all, says designer Melissa Warner Rothblum of Massucco Warner Interior Design, who helped orchestrate the property’s latest update, “many people think an interior has to match the exterior.” But not her—or her longtime clients, a family of four trading San Francisco living for the small-town charms of Ross. “This house is clearly very traditional from the outside, but the rooms within don’t have to follow that lead 100%,” Warner Rothblum adds. “You can have traditional elements and give them a modern twist—it still works.”

This ethos informed every inch of the renovation, a top-to-bottom undertaking that included the reconfiguration of the kitchen and primary suite as well as the addition of a pool house. It was no small task, as time—and multiple remodels—had taken a toll. “Architecturally, when houses this age have undergone a lot of work, the styles of the eras tend to get layered,” says general contractor Jeff Kerr, who worked with superintendent Dave Elwick on the refresh.

It was a message architect Stewart K. Summers recalls underscoring for the new owners after touring the abode. “I looked at them and said, ‘You’re going to have to be flexible because this home has been here for a hundred years, and there are going to be surprises.’ ” Fortunately, many of the dwelling’s quirks yielded opportunities. Removing a ladder-accessed loft just outside the primary suite allowed for an airy double-height sitting room. And when Summers eliminated the structural posts obstructing the kitchen’s flow, he was able to reimagine the roof framing and incorporate skylights that flood that space with light.

The interiors, in turn, represent a departure from the clients’ former style. “They always loved color and pattern with a bit of a punch,” Warner Rothblum notes, “but because these surroundings are so beautiful, we went much softer to bring the outdoors in.” Shades of peach, tangerine and rust appear in the dining room’s painterly wallpaper mural, the living room’s accent chair and the family room’s inviting sofa. In the kitchen, the island’s slate-blue hue dominates. And in the primary bedroom, a palette of lilac, blush and seafoam green sets a serene tone. “I wanted this space to feel different from the rest of the house, like a retreat,” Warner Rothblum says. In the adjacent sitting area, the designer created an ode to her clients’ previous residence with vibrant teal-upholstered pieces that had formerly occupied their foyer.

All the furnishings Warner Rothblum had selected for that San Francisco abode found a home here, in fact, but when the roomy Tudor quickly swallowed up those items, the designer went shopping, gathering new pieces in materials ranging from wood and brass to shagreen, leather and lacquered linen. “I don’t necessarily seek out something specific; I just know it when I see it,” she says of her approach, which yielded everything from the living room’s glossy pen shell coffee table to the foyer’s custom ceramic chandelier that spells out “dream” in tiny Morse code perforations. “To me, the key is ensuring that all those pieces are talking to one another,” the designer continues. “Sometimes it’s the fact that they’re total opposites that makes them work.”

Designing the new pool house presented the opportunity for another stylistic shift. “There was already a strong Tudor presence on the property, and I didn’t think that mimicking it was necessary or appropriate,” Summers says. “So, we went with a more midcentury modern look.” Around it, landscape designer Brad Goya employed bluestone hardscaping—a “classic but contemporary” choice, he notes—and natural, timeless plantings, “focusing on what fits the mountain and forest surroundings rather than passing trends.” Inside, Warner Rothblum evoked a retro Southern California hotel, pairing sun- washed blush and blue tones with palm frond prints. “Being in the pool house is like taking a little vacation,” she says. “It feels different from the main house on purpose.”

In Warner Rothblum’s mind, it’s that unexpected mix of traditional and modern that ultimately gives this abode so much personality. As she says, “I think we’ve shown here that the two can live together in harmony.”