— Photographer:  / February 4, 2026
A wood table with plant sits in a white room with a window with circular frame partially open.

A poet among architects, Bobby McAlpine is known for his lyrical approach to light. An amplitude of windows—frequently linear, occasionally circular, but always of extraordinary quality—is a hallmark of his work, which is especially true of his own Atlanta home, seen here. As important as light’s presence may be, so, too, is the absence of it. “There has to be darkness to realize that there is light,” McAlpine explains.

Here, he reflects on the subject for LUXE.

On the Subject of Light

Whether light is too much

Or too little,

It is a life force to get to know well.

The way we sequence it in varying measure

Is akin to touch and affects us emotionally.

The great companion of light is shadow.

Their need for one another

Gives definition to the visual world.

It can emote and dramatize a feeling.

It can tell a particular story as distinct as song.

Light in even measure can be as dull as a classroom

But in partnership with shadow can be beatific.

It can calm and quiet us as well as uplift us.

If it is pulsed instead of broadcast, it can be kind

Like the dappled light of a forest before a clearing.

It can be carried by a pale floor or

Haloed by the depth of thickened walls.

It can be blanketed through pattern

Falling cast over possessions.

It can change states and be made liquid

By imperfect glass.

Managed to a narrative

It is a gift and a merciful given.

Bobby McAlpine

Bobby McAlpine
A dining area with a table and chairs, chandelier hanging overhead and floor-to-ceiling windows.
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A garden area with manicured hedges in dark pots arranged near a stone walkway.
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A wood table with plant sits in a white room with a window with circular frame partially open.
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A white staircase with a flowing white curtain behind it and a fountain nestled underneath.
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