<  
Home Tours

This Coastal Georgia Home Offers A Fresh Take On Mediterranean Style

Family room with high ceilings, fireplace and ring-shaped chandelier

Beachy hues imbue the family room, seen in sandy-colored Venetian plaster walls, linen-upholstered seating from Bungalow Classic, a 19th-century Italian cabinet from Provenance Antiques and an abstract canvas by Peter Burega, through
Pryor Fine Art. Accent pillows in a florid Hodsoll McKenzie fabric and ceramic vessels from Joseph Konrad give the home a sophistication befitting a primary residence.

Once upon a time—in 1928 to be exact—The Cloister at Sea Island opened its doors and, with its enchanting Mediterranean style (markedly different than the prevailing vernacular of the surrounding Lowcountry), the hotel laid the groundwork for a local aesthetic that has reverberated over the decades. The resort’s telltale hallmarks—terra-cotta roof tiles, sheltered courtyards, elegant archways—inspired one Atlanta-based couple as they sought to build a vacation home on the Georgia island. For this, they turned to their longtime designer, Suzanne Kasler, and local architect Thad Truett. “I wanted something that exuded old Sea Island style,” the wife expresses. 

A location with outstanding Atlantic views—formerly home to a rambling 1930s cottage—proved ideal for a materials-forward concept. “The owners wanted something in stone and stucco, and we took painstaking effort to get the color and texture right,” Truett notes. Working with general contractor Chip Evans, the architect settled on Texas shellstone, whose sandy tone and chiseled face melded organically with the home’s cream-colored walls and reclaimed French roof tiles. In a nod to The Cloister’s influence, Truett employed pecky cypress on ceilings throughout the house—most evident in the covered loggia, breakfast area, upper stairwell and study. Rooms were positioned to take advantage of the seascape (“every bedroom, except for the nursery, has a view of the ocean,” the wife reveals), while Mediterranean flourishes, such as the classical quatrefoil, serve as consistent decorative accents. “We carried that motif throughout the house, from the entry gates to the kitchen tile backsplash,” Truett explains.

For the interiors, Kasler capitalized on the architecture’s elegant, old-world precedent. Having designed an Atlanta residence and lake home for the couple previously, she and the clients already spoke the same design love language—which translates to sophisticated yet relaxed interiors. “The wife really has a love for classic, timeless design,” says Kasler who, collaborating with project manager and designer Keith Arnold, delivered comfort without compromising refinement. And while location was imperative to the design, “it really doesn’t feel like a beach house,” she notes. “It’s more like a primary home, with its antiques and beautiful pieces.” 

To wit, a joint buying trip Kasler and the wife took to Los Angeles produced Murano glass mirrors, French chandeliers, an Italian shelf and substantial antiques with a gravitas befitting the home’s scale. The designer offset these with a backdrop of luminous Venetian plaster, employing framed scenic panels in striking aqua as living room accents. “She really gets into beautiful, subtle colors,” the wife effuses, pointing to the airy blue in the kitchen, as well as a sand-and-blue palette in the main bedroom. Though colors traditionally thought of as “beachy,” in Kasler’s hands, they’re decidedly elevated. 

More vibrant moments come from an eye-catching Turkish silk tapestry in the entryway and punches of burnt orange—appearing on the living room’s sumptuous damask draperies and a boldly lacquered bar. Thanks to multiple seating groups, the living area is conducive to gatherings but suitable for moments of solitude, too. “I love just sitting in this room when no one’s here,” the wife muses. The poolside patio overlooking the ocean offers another favorite escape: It’s where she begins her day with coffee, then ends it with the same view and a grapefruit cocktail. 

For the grounds, landscape designer Alex Smith likewise referenced a Southern European vernacular. “We planted a very old specimen olive tree to give the entry courtyard an instant aged quality,” he notes, adding that the same effect was achieved through custom-grown lavender trumpet vines for the courtyard walls. “On the ocean side, we had to consider variables such as wind, salt spray and sun exposure,” Smith continues. So, he brought in salt-tolerant Bougainvillea from South Florida to pin against the rear of the house. 

Collectively, these thoughtful details from the design team pay faithful tribute to Sea Island’s past paired with a timelessness to carry the home forward for generations to come. “Theirs is a big, and growing, family,” Kasler notes. “So, this project was about more than decorating; it was creating a way of life.”

Home details
Photography
Architecture
Interior Design
Suzanne Kasler, Suzanne Kasler Interiors
Home Builder
Chip Evans, Evans & Varnadoe Construction, LLC
Landscape Architecture
Enjoyed the article?
Explore Other Home Tours