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traditional living room with light blue walls and black-framed fireplace

Quiet Moments by Benjamin Moore contrasts the Chesneys fireplace mantel in the living room. Schumacher fabric covers the armchairs in front.

A Historical Austin Abode Gets A Palm Springs-Inspired Twist

While working for the same prestigious firm in New York for years, interior designers Amanda Darnell Berry and Claire Ratliff clicked personally and professionally, despite their stylistic differences: The former leans modern and whimsical, while the latter favors classicism and symmetry. “We complement one another,” Darnell Berry says. “It’s a good balance.”

Their synergy has since transferred to Austin, where the duo launched a partnership. With a shared background in blending design genres, particularly incorporating antiques, they applied this expertise to their first full residence: a landmarked Georgian in a historic neighborhood. “The owners wanted to breathe a little life into the house,” Ratliff recalls.

The project began outdoors, as the clients desired a multipurpose pool house with living, dining and cooking capabilities. The ambitious addition would host everything from family game nights to catered fundraisers for 200 guests, yet the main directive—and challenge—was that the space be able to transform from an interior room to an open-air garden pavilion that connects to a pool and yard by landscape architect Jim Jech.

Inspired by the property’s hint of Hollywood Regency style, architect Paul N. Brow took cues from midcentury Palm Springs dwellings. “We wanted to reference that traditional detailing as a tip of the hat to the original landmark house but distill it, abstract it and make it more shallow to ensure that the addition appears subordinate,” he explains. His solution: a structure with a flat roofline, brick pilasters and floor-to-ceiling steel-framed windows that vanish into pockets, constructed by builder David Wilkes. “Although the pool house design is more contemporary than the main home, the trim details and exterior brick flow throughout both, leading to a seamless integration from old to new,” Wilkes notes.

Home Details

Architecture:

Paul N. Brow, Paul N. Brow, Architect, LLC

Interior Design:

Amanda Darnell Berry and Claire Ratliff, Henry Street Design

Home Builder:

David Wilkes, David Wilkes Builders

Landscape Architecture:

Jim Jech, Thompson + Hanson

Styling:

Stephen Pappas

moody study with green-blue walls and floral-patterned armchairs
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The study shines from a Fine Paints of Europe shade. Armchairs in a Lee Jofa textile sit beneath a Charles Edwards light. Visual Comfort & Co. fixtures frame the Slim Aarons art.

Gucci's Heron wallpaper wraps the dining room of a traditional Texas home
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Gucci’s Heron wallpaper enlivens the dining room. A Murano-glass sconce illuminates a vase from The Antique Swan topping a 19th-century Italian console.

white kitchen with a dark blue island
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Benjamin Moore’s Newburyport Blue colors the kitchen island while the brand’s White Dove appears on the cabinetry. The Roman shade is a Kravet pattern; Dennis & Leen counter stools wear Brunschwig & Fils and Joseph Noble textiles.

traditional living room with light blue walls and black-framed fireplace
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Quiet Moments by Benjamin Moore contrasts the Chesneys fireplace mantel in the living room. Schumacher fabric covers the armchairs in front.

light blue bedroom with a jacquard headboard
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Walls by Sloan Montgomery Plaster shroud the primary bedroom, grounded by a Nourison Home rug. The bed, dressed in Matouk linens, has a Dedar jacquard headboard with a Holland & Sherry border. A Murano-glass lamp pairs with a Vaughan reading light.

light blue traditional bathroom
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House of Rohl’s Palladian faucet fills the primary bathroom’s Kohler tub. Ann Sacks flooring complements Sanderson’s Chiswick Grove wallpaper, and a Holland & Sherry shade joins Kerry Joyce sheers.

an Austin home's pool in the backyard
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In the backyard, a vast swimming pool by Thompson + Hanson is surrounded by deck flooring of square limestone pavers. Century Furniture’s Augustine chairs are situated in front of the pool house.

modern pool house with black and white geometric flooring and views of the backyard
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RH’s Balmain sectional, Memoire Design’s Louis XVI Trellis chairs and Noir Trading, Inc. tables furnish the pool house. Pocket doors by Western Window Systems allow the structure to open to the backyard completely.

modern pool house with shiny brass cabinetry
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Marble flooring in a large-format pattern flows throughout the pool house. Sub-Zero appliances and a Wolf outdoor grill partner with a hood by architect Paul N. Brow. The Waterworks faucet is from Alexander Marchant.

modern pool house with a marble waterfall island and brass insets
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A waterfall of polished Arabescato Corchia marble envelops a brass-coated island base. Barovier & Toso Murano-glass pendants suspend over the metal Royère-inspired counter stools with upholstered seat cushions in a contrasting fabric.

Because of the pool house’s lack of wall space, the team had to find other ways to infuse personality. So Darnell Berry and Ratliff looked to the flooring, settling on a high-contrast inlaid marble pattern that inspired brass-toned accents, such as a lacquered hood and the waterfall island’s metal base. Casual finds like rattan dining chairs balance this formality, and all the furnishings, including the three-piece dining table and modular sofa, are lightweight and can easily transition outside. “It’s got a Slim Aarons vibe,” Brow observes.

Darnell Berry and Ratliff carried this posh quality into the residence, freshening up spaces with color, varied forms and moments of drama in an overall elegant environment. Much like the designers’ contrasting style preferences, their strategy focused on mixing opposites, such as high-gloss paint with a sisal rug. In the primary bedroom, for instance, the team designed a scrolled headboard, then found black lacquered nightstands that bring depth to the romantic shape. “For every decision, we kept coming back to livable but glamorous, fun yet sophisticated at the same time,” Ratliff says. The living room communicates their distinctive points of view with light blue paneled walls—sounding Ratliff’s traditional voice—that counter a black-and-white stone mantle with geometric patterns, Darnell Berry’s contemporary response. The space’s pink rug calls to the dining room’s large-format crane wallpaper, which creates a scenic viewpoint for the windowless room. “We wanted to give the space a lot of personality and pop of color,” Darnell Berry explains. But the biggest “wow” factor is the tonal study, home to moody green walls, glossy bookcases with brass grills, and rich blue draperies.

Within the enlivened spaces, the designers maintained a fair amount of the clients’ antiques, making strategic edits to the collection. Pieces such as the family room armchairs were reshaped and re-covered, while others simply moved from one area to another—like the living room’s sconces and the dining room’s carved French consoles. “Sometimes it takes a fresh eye to come in and say, ‘What if we placed this there?’ ” Darnell Berry muses.

Like the foundation of their business, the designers created an abode that blends timeless charm with modern energy—and challenges preconceived notions. “A lot of people think the use of antiques has to be serious, not lively,” Ratliff points out. “We’ve had a lot of fun proving that’s not the case.”

light blue bedroom with a jacquard headboard

Walls by Sloan Montgomery Plaster shroud the primary bedroom, grounded by a Nourison Home rug. The bed, dressed in Matouk linens, has a Dedar jacquard headboard with a Holland & Sherry border. A Murano-glass lamp pairs with a Vaughan reading light.

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