When it comes to designing the perfect guest-ready country home, orchestrating the effortless balance between lively communal spaces and private retreats is essential. And no one understands this equation better than designer Matthew Patrick Smyth, a New York City dweller and Connecticut country mouse in his own right, who was entrusted to reimagine a Federalist farmhouse in Litchfield County, Connecticut, for a young family and their healthy roster of weekend visitors.
According to Smyth, the ultimate litmus test for any getaway home is an inviting dining area. “If I was hired to do only one space, it would be the dining room,” Smyth admits. “It’s where you have a captive audience with guests sitting around the table for a couple of hours sharing a meal, which is the most intimate way to entertain.” Situated off the entry foyer near the library, his clients’ space offers up a warm first impression and serves as the backdrop for routine meals and special holiday gatherings alike. There, guests not only break bread and partake in joyful conversation but are also visually delighted by the room’s tableau of handmade glazed wallpaper framed by floral drapery and punctuated with contemporary artwork by local artist Lizzie Gill. The antiques peppered throughout the dining room—above the table is an original light fixture dating back to at least 1870—are equally appreciated by the young couple, who have a penchant for old things with provenance and aren’t afraid of anything too precious.
In this abode, the convivial common spaces are the yin to the private guest quarters’ yang. Upstairs, a cozy attic room is a storybook reprieve from the hustle and bustle of the first floor. Located in the oldest part of the home, the room’s original beams highlight the tall ceilings, but it’s the built-in bed nook, another original detail, that steals the show. It is both a perfectly cocooned suite for visitors with young children (adults on the custom horsehair bed, kids in the alcove) and a quiet place where the homeowners can relax and curl up with a book when without houseguests. It is a space as physically comfortable as it is mentally—exactly what any host hopes to provide.
“An old house is like the game of telephone,” Smyth jokes. “You start with a communicated idea, and by the time you get to the end, you’re totally off message. The design is about returning to square one by peeling back the layers.” Though honoring its roots, the homeowners are undoubtedly writing a new chapter for this storied property, one that has seen generations of friends and family pass through, all looking for the same comfort of a New England country home.