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Tour A Stinson Beach Home Capturing The Enchantment Of Holidays Away

Large windows look out over Bolinas Lagoon in home by Lindsay Brier

Designer Lindsay Brier created this Stinson Beach house for a family.

In Stinson Beach, where the hills of West Marin merge into the waters of Bolinas Lagoon, time becomes elastic. Hours seem to stretch, ambling alongside the ebb and flow of sunshine and fog. One close-knit San Francisco family longed for these kinds of days. The parents “knew they had their children living with them for only a certain number of years,” notes Lindsay Brier, the designer hired to realize the couple’s vision. “They wanted to make the most of their time together.” 

The couple found a waterside property nestled in the heart of the area’s tidal estuary, with waves of migrating birds gliding across the sky. But the abode itself—a generic dwelling—felt disengaged from its environs. To remedy that, “we knew we needed to dissolve the boundaries between inside and outside,” explains architect John Kleman, who worked on the project with associate Stephen Seldin. Together with general contractor George T. Flynn, the design team focused on reconnecting the house to the landscape. 

Although the building’s original footprint remained the same, they opened the interiors by broadening the doors and windows. Perfectly aligned, the new openings transform how a person enters the home, “turning an opaque experience into a friendly arrival,” Kleman notes. “You’re now able to see all the way through the house to the lagoon beyond.” 

Inside, sunlight pours through new skylights, casting luminous pools that move throughout the day. Underscoring this newfound warmth, Brier enveloped the interior with fresh cream walls and naturally finished cedar for the floor, ceiling panels and beams. Choosing a semi-transparent wood stain ensures that “things are not too refined,” the designer says. “There’s an integrity to the variations and knots in the wood.” Many materials imbue a similar tactile imperfection, like the crackled hand-glazed brick tile on the fireplace surrounds. 

The same sensibility seeps into the furnishings. “We embraced lighter teaks, some rift white oak and a little bit of rattan and wicker, which plays nicely with the floor and ceilings,” Brier adds. She complemented the warm woods with textiles featuring subtle, yet expressive detailing. There’s the family room sectional “that has an unfinished flange detail, instead of a super polished welt,” Brier explains, which creates a ripple-edged silhouette. Throw pillows with hand-blocked prints add bold patterns to the sun-bleached hues. Drapery, when it’s used, leans to the light and sheer “so they can float around in the windows,” the designer adds. Together these layers, soft corners and gauzy textures create a relaxed ease. 

Rooms were reconfigured to slow down the innate rhythms of daily life. Removing partition walls turned the family room, kitchen and dining area into one seamless space, intuitively drawing the clan together. Instead of a media room, the owners prefer a refuge for reading, together or alone. So, the formal living room became a serene study with built-in bookshelves and a fireplace. In turn, the family’s bedrooms capture the enchantment of holidays away. Brier gave the children’s custom-built bunk room hues of ocean blue, creating a dreamy backdrop for games and conversations (some that may last well into the night). Kleman also situated the parents’ bedroom over the lagoon. Encased with sliding glass doors, the space “feels like you’re on a floating platform,” he notes. “From the bed, you’re able to see the water surrounding you.” 

Landscape designer Michael Bernsohn further deepens the interior’s relationship to nature with his approach to the outdoor areas. “I engaged the views of the lagoon and mountain ridge from inside the house by visually connecting the gardens with the native landscape,” he explains. The flagstone pathway leading to the entrance weaves through meandering beds of endemic artemisias and poppies, alongside a flush of non-native blooms “mimicking the colors and textures of seasonal wildflowers,” he notes. These naturalistic plantings continue along the rear stepped terrace. Each descending level becomes like an outdoor room, as integrated planters shelter the distinct gathering areas with lush greenery. The plant selection also “encourages wildlife, especially birds and butterflies, thus providing another level of life and movement,” Bernsohn says. 

All together, the home now feels embedded among this seasonal cycle of nature. Here, the family marks time not by the minute, but by the moments shared together among the changing landscape. 

Home details
Photography
Jonathan Mitchell
Architecture
Interior Design
Lindsay Brier, Anyon Interior Design
Home Builder
George T. Flynn, George T. Flynn Construction
Landscape Architecture
Michael Bernsohn, Michael Bernsohn Landscapes
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